Welcome to the law of the jungle. Where there're no rules. Where the life of a human being is not worth a penny. Where goonda raj reins supreme. Where men are butchered and women abducted and raped. Where the police obey the orders of the goons. Where guns, swords, bombs, knives and sharp weapons are a man's best friends. Welcome to RAKHT CHARITRA, based on the true story of Paritala Ravi.
Ramgopal Varma is known for dark and gritty cinema and RAKHT CHARITRA is not just the film-maker's, but also Hindi cinema's most violent film so far. Be forewarned, RAKHT CHARITRA is not for the lily-livered. Nor is it for those who love to visit cineplexes with their families, weekend after weekend, to watch that perfect family film. This one has just one song [not needed, actually], no romance, no comedy/humour, no phoren locations, no good looking faces, no family gatherings and no striking sets that are mandatory for escapist cinema. RGV is a rebel, he likes to make movies he believes in and RAKHT CHARITRA proves it yet again.
Let me add, RAKHT CHARITRA is not one of RGV's most accomplished works. Perhaps, one of the reasons could be because he's now churning out gangster and crime-based films with amazing regularity and obviously, there's not much he can explore due to the limitations of this genre. But, yes, RAKHT CHARITRA has a fascinating story to tell and even if you aren't acquainted with Paritala Ravi, you might identify with RAKHT CHARITRA because the essence of the film is revenge.
By now we've come to expect zany camera angles, tight close ups, a raging background score, power-packed performances and abstract stories from RGV's films and RAKHT CHARITRA is no different. Expect all this and more [read bloodshed] in RAKHT CHARITRA. Since RAKHT CHARITRA is based on a true story, there's not much one can comment on it, but the manner in which the incidents unfold keep you hooked. Of course, it's a vendetta fare, yet one is keen to fathom what essentially provoked a soft-spoken individual to transform into a killing machine.
RAKHT CHARITRA gets lengthy in its second half and one genuinely feels that RGV should've curtailed the length of the film by a few minutes, although the introduction of Suriya's character at the end only raises the curiosity for the second installment.
RGV has handled a number of sequences brilliantly, but the film leaves you with a sense of deja vu off and on. Glimpses of films like SARKAR and SARKAR RAJ, besides SATYA and COMPANY, though not remotely similar to RAKHT CHARITRA, flash across your mind. It's a little intricate to encompass all incidents in the screenplay, but writer Prashant Pandey makes a sincere effort. Cinematography [Amol Rathod] catches your eye. Action scenes are true to life. Background score compliments the mood of the film.
On the whole, RAKHT CHARITRA is not for the faint-hearted or the lily-livered. The violence, the blood and gore depicted in the film will shock and disconcert you, which only goes to establish as to how proficiently the subject material has been treated. The film is targeted mainly at those who love to watch aggression, violence, bloodshed, brutality and massacre on the silver screen, but a chunk of the movie-going audience [ladies and kids] will choose to stay away from this scene of carnage. The business in Telugu and Tamil versions is expected to be excellent, due to the strong identification with the subject material.
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